1. Ju-on: The Grudge | Ju-On Wiki - Fandom
The young woman crosses paths with the inhabitant mysterious grudge curse only to discover its real horrifying purpose onto her. The film premiered at the ...
Ju-on: The Grudge (呪怨じゅおん, Juon) is a 2002 film, the third in the Ju-on film series and the first to be released theatrically. Written and directed by Takashi Shimizu, it tells the story of a social worker hired to take care of an old lady whose family had moved to a cursed house. The young woman crosses paths with the inhabitant mysterious grudge curse only to discover its real horrifying purpose onto her. The film premiered at the Screamfest Film Festival in October 2002 and generated an Amer

2. Ju-on (franchise) | Ju-On Wiki - Fandom
Ju-on (呪怨 Juon, lit. "curse grudge") is the title of a series of Japanese horror films created by Takashi Shimizu. Shimizu attended the Film School of Tokyo, ...
Ju-on (呪怨 Juon, lit. "curse grudge") is the title of a series of Japanese horror films created by Takashi Shimizu. Shimizu attended the Film School of Tokyo, where he studied under Kiyoshi Kurosawa. Kurosawa helped Shimizu shepherd the Ju-on projects to fruition. The Ju-on movies revolve around a curse created by the violent murder of a housewife in a house in Nerima. It was said that when one person dies with a deep and burning rage, a curse is born. The curse gathers in the place where that pe

3. How Ju-On: The Grudge creator Takashi Shimizu turned one scary ...
Oct 2, 2020 · A sequel came out the same year, before the cinematic release of Ju-On: The Grudge in 2002, which was itself followed by a sequel in 2003. Each ...
Takashi Shimizu, Japanese screenwriter and film director, will be remembered for just one thing – the Ju-On horror franchise that spans decades and comprises not just movies, but a TV show, books and a video game.

4. Ju-On: The Grudge (2002) | 31 Days of Horror: Oct 13 | RetroZap
Oct 13, 2022 · This film launched a series of movies in Japan that featured six sequels including The Grudge 2, The Final Curse, and Sadako vs Kayako (a ...
If you’re one to hold a grudge, I would counsel against holding this one. #JuOn #TheGrudge #31DaysOfHorror

5. Ju-on: The Grudge (2002) directed by Takashi Shimizu • Reviews, film + cast
Ju-on: The Grudge. 2002. 呪怨. Directed by Takashi Shimizu. Synopsis.
When social worker Rika is sent to check on a traumatized old lady whose family have moved in at the site of the notorious Saeki family murder case, she unwittingly unleashes a cycle of terror that is transmitted via its victims further and further from its original source.

6. Horrific Inquiry: JU-ON: THE GRUDGE (2002)
Mar 25, 2022 · An unforgiving and relentless curse, Ju-on delivers on its promise to terrify – even long after the movie has ended.
As unforgiving as its relentless curse, Ju-on: The Grudges delivers on its promise to terrify - even long after the movie has ended.

7. Ju-on: The Grudge (2003) | Rotten Tomatoes
Ju-on: The Grudge: Official Clip - Family Curse Content collapsed.
In a Japanese house, a vengeful spirit goes after one person after another, each suffering a horrible death.

8. Ju-On: The Grudge (2002) review - psycho-cinematography
Mar 7, 2023 · The fragmentary chapter-like structure of Ju-On: The Grudge invites the spectator to question the indestructability of the curse (Structure-note ...
Shimizu’s narrative remains, after all these years, an effective horror film and a J-horror classic in its own right.

9. Ju-On Franchise: The Grudge (2002) - Horror Obsessive
Nov 8, 2020 · The film, like its predecessors, moves back and forth in time without alerting the audience and the central conceit of the curse, or “grudge,” remains.
While not as consistent as the previous two films in the Ju-On franchise, The Grudge brings Shimizu's ideas and villains into the mainstream.

10. 'Ju-On: The Curse' - The Original Movies That Spawned 'The Grudge ...
May 16, 2024 · 'Ju-On: The Curse' – The Original Movies That Spawned 'The Grudge' Franchise. Published. 5 months ago.
In a world where over-polished corporate products dominate the media landscape while the ever-growing threat of AI-generated “art” haunts the horizon, I
